'John Wick: Chapter 4' review: Keanu Reeves and Donnie Yen deliver action to die for | Mashable.

'John Wick: Chapter 4' review: Inject this movie into my veins

Yeah, I'm thinking John Wick still has it.

Keanu Reeves in "John Wick." Credit: Lionsgate

After delivering three of the best action films of the past decade, you might think that the John Wick franchise was at the risk of running out of steam. After all, how much longer could such a great streak last? Yet John Wick: Chapter 4 proves that these films have the same boundless energy and seemingly unkillable quality of their protagonist. With elevated action, great new additions to the cast, and a relentless performance from Keanu Reeves, John Wick: Chapter 4 may stand the test of time as the best John Wick film yet.

We pick back up with impeccably dressed assassin John Wick (Reeves) on his continued quest to take the down the crime lords known as the High Table. As always, the odds are against him. He's excommunicado, so he no longer has the privileges and access he once did in the criminal underworld, and there's a $14 million bounty on his head. To make matters worse, the High Table has unleashed the Marquis de Gramont (Bill Skarsgård) as a cruel emissary who will stop at nothing to rid the world of even the faintest idea of John Wick. The Marquis's dogged hunt will send John from Berlin nightclubs to the Osaka Continental to the storied streets of Paris, all with one goal: Fight his way to freedom.

John Wick: Chapter 4 knocks it up a notch with its new cast of characters.

A man in a black suit walks down the aisle of a church.
John Wick after a loaded conversation with Caine. Credit: Lionsgate

Reeves is always great as the bedrock of the John Wick films, and returning actors Laurence Fishburne (as the Bowery King) and Ian McShane (as Winston) continue to chew their scenes for every ounce of drama they're worth. But Chapter 4 belongs to franchise newcomers like SkarsgÃ¥rd and Donnie Yen.

As the film's primary antagonist, SkarsgÃ¥rd delivers an exquisitely love-to-hate-him performance. He wears "spoiled tyrant" just as well as the Marquis wears an assortment of luxurious suits — some glittery, some velvet, all showstoppers. Whether he's holding court in the Louvre or conducting bloody deals in his personal stables, he's a loathsome joy to watch, and he couldn't be more different than Wick.

The opposite is true of blind assassin Caine (Yen), whom the Marquis sends to kill Wick. A friend of Wick's from long ago, Caine has a fair amount in common with John Wick. The two of them both tried to escape the criminal underworld to spend time with people they love. For John, that was his late wife Helen. For Caine, that's his daughter, whose life the Table threatens unless Caine does exactly as he's told. So when given the choice between saving his daughter or saving an old friend, of course he chooses to try to kill Wick. The legendary Yen delivers a brilliant performance here, imbuing Caine with a resigned sense of duty and clear respect for his quarry. He and John have lived parallel lives, so when the two cross swords (or guns), the results are nothing short of explosive.

The rest of the cast is outstanding as well. Hiroyuki Sanada, another legend, brings a deep sense of gravitas to his role as Shimazu, manager of the Osaka Continental. He, Wick, and even Caine share something akin to a brother's bond, although only Shimazu chooses to stand by Wick. Truly, I could watch these three talk — and fight — for hours.

As Shimazu's daughter and concierge Akira, pop star Rina Sawayama exudes ruthless amounts of cool. Yet she and Sanada both find breaks from the badassery to give a compelling look at a father-daughter bond in a cruel criminal world. Elsewhere, Shamier Anderson proves an exciting addition as the Tracker, a man hell-bent on raising the bounty on John's head. He's accompanied by a John Wick staple: a very good dog with whom he has a very good rapport. Finally, there's Scott Adkins, whose unfortunate fat suit doesn't completely dampen his gleefully unhinged performance as club owner Killa.

John Wick: Chapter 4 features franchise-best levels of action.

A man in a black suit wields nunchuks against a gun-toting man in black tactical armor.
Keanu Reeves in one of many spectacular fight scenes. Credit: Lionsgate

With all these new allies and adversaries in place, John Wick: Chapter 4 sets to doing what John Wick does best: delivering pulse-pounding action sequences that will send your jaw smashing to the ground with every blood-splattering headshot and bone-cracking punch.

It wouldn't be a John Wick movie without staggering amounts of gun-fu, but John Wick: Chapter 4 also incorporates archery, full-on MMA brawls, and stylish swordfights. The latter are particularly effective whenever Yen and Sanada are on screen. And of course, Reeves excels, whether he's emphatically reloading a gun or pounding a man's head in with nunchuks.

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The entire film is a showcase for director Chad Stahelski as one of the best action filmmakers we have today — especially the last hour. An extended fight sequence uses a god's eye view to guide us through a Parisian apartment, providing an impeccable map of the battle playing out below us. A car chase and shootout around the Arc de Triomphe is an adrenaline rush like no other. Then there's an action sequence involving stairs that had my theater whooping and groaning in equal measure.

In Stahelski's hands, even non-fight scenes carry the same energy as a brutal action sequence. At a fiendishly fun card game with Killa, the thunderous turn of every card feels like a blow. A negotiation between John Wick and the Marquis bristles with tension. John Wick: Chapter 4 may be nearly three hours long, but when every scene has stakes this big and performances this commanding, that runtime flies by.

John Wick: Chapter 4 is strangely haunting.

A man in a black suit walks through green smoke. Two shadowy figures walk far behind him.
How long can John Wick keep running? Credit: Lionsgate

John Wick: Chapter 4 sticks with you — and not just because of its outstanding kills and Reeves one-liners. This is a film that continues to reckon with all the death John Wick has caused and what it will take for him to get out, but that reckoning is especially poignant as he meets his match in Caine.

"We're damned," Caine tells John the night before a pivotal fight. The two claim to want their freedom from the Table, but now that they've emerged from retirement to end countless lives, is there really any kind of freedom for them? Or will they always be drawn back into this monstrous world?

I know, I know...It's a John Wick movie; you don't necessarily come to these for philosophy lessons. Yet the specter of death and regret hangs more heavily over this installment than any other, thanks largely to the masterful way the film sets up the film's final fight. Dread, satisfaction, and anticipation war in you right to the very last gunshot. That's proof of the power of John Wick: Chapter 4: Not only are its action sequences top-of-the-line, but they're backed by the emotion to match.

John Wick: Chapter 4 hits theaters March 24.

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Comments

  1. Too much violence in his movies

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  2. I read John Wick and Keanu Reeves I click

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  3. Gonna see it today

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  4. Some of the worst storylines in film history.

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  5. Waiting to see him on TV. 25 minutes left.

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  6. Meh….jumped the shark. Great visuals and action sequences but no real story.

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  7. Yeah.. that headline perfectly describes it.. 🤘🤘🤘
    #JohnWickChapter4

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  8. John Wick is an artistic masterpiece in its own right, much like my own works.

    Talent is timeless, as is the beauty of

    https://www.linesbypablo.com/

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  9. So apparently John Wick 4 is dynamite!!!

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  10. John Wick 1 was good, but 2 and 3 were bad, and I think John Wick 4 is gonna be bad too, so I'll only fully watch the good fight scenes on Youtube (if there are any).

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    1. Thank you for sharing this vital and informative opinion.

      /sarcasm

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  11. I just don;t get the draw of this "franchise"? I really like Keanu Reeves but I heard a lot of people recommend this series so I went and watched it. Just stupid plots, stupid dialog, kill, kill, kill, kill, kill, fights that result in no lasting damage, dark characters here and there that I couldn't care less about, etc.
    What's the draw? What am I missing because they all seem to be just one tired cliche' after another? Is this one the best, something new, idk it looks like more of the same?

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  12. Loved the first one, but thought especially 3 got way to up their derriere with the mythology, which was kind of fun as an aside in the first movie but started becoming kind of silly. (the desert stuff in the last movie reminded me more of Wayne's World's Jim Morrison bit than being compelling.)

    But Reeves is basically this generations John Wayne with his screen presence and being perfect in his range and the action and fight scenes are always top notch.

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  13. Definitely about 30 minutes too long, but who cares when the last hour is this good? Human Frogger, an homage to "The Warriors" ... and that dog. What a great movie.

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  14. I dunno. Chapter 3 wasn't bad, but unlike 1 and 2 it felt perfunctory and like more of the same right up until the end. I like an unapologetic action-fest as much as the next guy, but almost three hours seems like a loooong time to spend with this series. That's 25 minutes longer than the already somewhat bloated last one.

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    1. I was thinking the decline in quality of Chapter 3 was largely due to the departure of Derek Kolstad, and that this movie would continue the trend. Evidently not so.

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    2. I just checked, and 78% is a respectable Metacritic score for a fourth chapter of anything. I just need someone "loose" enough to see it with. Like Mr. Tallerico says, this is the kind of movie you don't want to see it alone, and you also don't want to see it with someone who is too uptight about reacting to a movie.

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  15. You're thinking to much about a action movie that doesn't require nothing but enjoy with a smile plastered on your face

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    1. Dumb action movies typically aren’t 3 hours long. Clearly the filmmakers have loftier ambitions.

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    2. The idea that you shouldn't apply your brain to an action movie is widely believed, and completely nonsensical. It's fine to have standards for action movies. It's fine to want your entertainment to also be quality.

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    3. A 3 hour visit to the theater is a real time investment and it's also wanting your company to be equally entertained. After Parabellum, don't want a repeat performance. I sat through the Matrix Resurrections. Some films were made for streaming because you've got access to the fast forward button. ;)

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    4. Yeah I hear ya.I struggle too sit down for 3 hrs regardless,and I might have had enough after two hours,but there's more transformers kinda silliness this has been dragging and then there's wick where it's a guilty pleasure more so,well for me anyway.. Ahhh I didn't fall into that Matrix trap as far as the movie was concerned haha.

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    5. Two hours and 49 minutes! Holy cow. If you hadn't drawn my attention to the run time, I never would have suspected. That's longer than All Quiet on the Western Front. I like John Wick well enough, but I already felt like the last movie had a decent amount of filler. What could they possibly be doing with this property for two hours and 49 minutes?

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    6. Good job with the downvotes, James Evans. A true phanboi to the end!

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  16. I'm just so fricking excited for this movie! Definitely will be enjoying this film in the theatre.

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  17. There will be a decent-enough torrent online in a few days that Ill be enjoying at home just fine. The only way I would see this in a theater is if John Wick were my personal usher to dispatch with cellphone a-holes and other rude people.

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  18. There's something seriously wrong with people like this who practically have an orgasm over nothing but non-stop violence.

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    1. Don't worry. The Little Mermaid and Super Mario Movie are coming soon.

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    2. Is this a dig at non-violent movies? If so, why can't we like both? I have no interest in The Little Mermaid, especially after Disney's classless shenanigans at the Oscars, but Super Mario looks great.

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    3. I think a case could be made that the Super Mario movie is more violent than John Wick 4. Just thinking about all those hapless Koopas ...

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    4. They've been fighting since 1985 and they're still using the exact same tactics. I mean, I know Bowser isn't the best ruler, obsessed as he is with a fellow monarch who isn't even his species. Still, you'd think at some point he'd get tired enough of losing to a fat Italian plumber to invest in some updated field training. Or at least helmets.

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    5. Don't like don't watch simple as that

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    6. I know, it's like "Star Wars" all over again, huh? And who in the world would like that?

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